Saturday, March 13, 2010


Note: if you want a Button Manifesto for your very own, as seen in the previous post, they are available for 100 dollars, each one is hand lettered and if you have certain requests let me know.
This has been a week of highs, lows, and mids. Highs: I spent a couple days working on a Gonzales project with Feist (a sweety, in the downtime we sang "9 To 5" together, have you seen "9 To 5" lately? man, that movie has the most amazing design sense in terms of colour, matching and complementing down to the furthest depth-of-field), Peaches, The World Provider, Tiga, Corpusse and other swell people! It was fun and I wish that Big Hamm was there to share in it. Lows: I was seriously going to move back to Vancouver for love. Said offer (being my last ditch effort) was rejected. Instead I had to listen to my character defects which I already know about and have been working on improving (a rather long and frustrating process). Yeah, I'm self-absorbed (duh: I even have a blog that discusses my own-not other people's-personal details) and I really hate that about myself (maybe I should erase this blog). I could have rebutted but what's the use? It doesn't matter anymore, all idealised thoughts fall to the wayside, it's total kaputs and in the past, I've moved forward and am letting go, this is for the best, I feel crummy. I'm a raw nerve and don't want to live inside myself. Unless I somehow get a free flight I won't be visiting Vancouver anytime soon. Too painful. Sorry Vancouver pals, I miss you and your company and your good food and coffee, too. The mids: after all that, back to the day job.
The latest issue of FREE DRAWINGS just came out. Where is it available? Around Toronto, elsewhere, I dunno. Good ole Jason Mclean, Michael Deforge, Michael Comau, and Seripop have art in here. I did a cover. Take a gander below. I'm unsure about it. I don't know if the piece totally congeals. Thematically it deals with my obsessive interests in all things glitter and glamour as well as trying to make the sexuality hazy, indeterminate, and covert. For this illo I was influenced by a photospread from one of the earliest issues of Oui Magazine, one of the best soft-core porn mags of its' day. In terms of the second hand art deco look in the early 70s I also dig the classic Biba store, records with soft focus then hand tinted band shots, and those overly lush Italian films where they have to deal with fascism: Salo, The Damned, and The Conformist. Damn, those are gorgeously decadent and cutting films.

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